MASS OF GOD’S WHOLENESS AND JOY

A picture of myself directing music from the piano at St Hubert in Chanhassen, Advent 1986. This was the church that was built in the 1970’s. We outgrew that church by 1997, when the southwest suburbs exploded with people. We went from a community of 700 households to a community of 3200 households. In 1997, we built the present church building on the other other side of Highway 5 that now seats 1200 people (the minimum required by the Archdiocese for new church buildings).

When I started to direct church music in the late 1970’s, there was not much of a choice in the sung Ordinary parts of the Mass. These sung parts most people know as the “Lord Have Mercy” (Penitential Rite), The Glory to God, the Gospel Acclamation (Alleluia and verse preceding the proclamation of the Gospel), the Holy, Holy, the Memorial Acclamation following the words of consecration, the Doxology and Great Amen at the end of the Eucharistic prayer, and, the Lamb of God sung during the fraction rite.

In the 1980’s, there was a great flurry of activity in composing musical and singable Ordinary parts of the Mass. Marty Haugen’s Mass of Creation and Mass of Remembrance; David Haas’ Mass of Glory and Mass of Joy; mass settings composed by Mike Joncas and the St Louis Jesuits are notable settings of the Ordinary of the Mass that people enjoyed singing. However, in the past 20 years, I have noticed that many newly composed settings of the Ordinary of the Mass have become trite, boring, and very unmusical. Equally as boring are those attempts to quote motifs from old Latin chants and impose the Ordinary Mass texts on them. They just don’t work, are unsingable, and are tedious to sing. They just don’t work.

So, as I was convalescing from my broken wrist, my music program, Finale, and I were busy composing a brand new setting of the Ordinary Mass parts. I chose to compose them not only for SATB choir, cantor (at times), and piano, but added instrumentation such as 3 octave handbells, flutes, violins, trumpets, horn in F, and trombone to the compositions. This blog and the two following will be featuring these new Mass settings that are not only singable but musical.

Because the choir parts all sound like just sung “Ahhhhhs”, I have included the sung Mass texts along with the MP3 of the music.

The Lord Have Mercy

This is composed for a cantor, with the congregation parts doubled by the SATB choir.

Lord Have Mercy

Lord Jesus, you came into the world
For our salvation. Lord have mercy. (repeated by choir and congregation)

Lord Jesus, you continue to be with us
By the grace of your Spirit, Christ have mercy. (repeated by choir and congregation)

Lord Jesus, you will come again in glory,
Lord have mercy. (repeated by choir and congregation)

Lord Have Mercy (c) 2024, music by Robert Charles Wagner. All rights reserved. Excerpts from the English translation of The Roman Missal © 2010, International Commission on English in the Liturgy Corporation. All rights reserved.

The Glory to God

The Glory to God is composed for SATB choir, piano, 3 octave handbell choir, 2 flutes, 2 violins, 2 trumpets, horn in F, and trombone. There is a common refrain that all can sing immediately, with the verses initially sung by the choir, but easily learnable by the congregation over time.

Glory to God in the Highest

 Refrain:
Glory to God, Glory to God,
Glory to God in the highest!
Glory to God, Glory to God,
Glory to God in the highest!

Glory to God in the highest,
and on earth peace to people of good will
We praise you,
we bless you,
we adore you,
we glorify you,
we give you thanks for your great glory,
Lord God, heavenly King,
O God, almighty Father.

Refrain

Lord Jesus Christ, Only Begotten Son,
Lord God, Lamb of God, Son of the Father,
you take away the sins of the world,
     have mercy on us;
you take away the sins of the world,
     receive our prayer;
you are seated at the right hand of the Father,
     have mercy on us.

Refrain

For you alone are the Holy One,
you alone are the Lord,
you alone are the Most High,
Jesus Christ,
with the Holy Spirit,
in the glory of God the Father.
Amen.

Refrain

Glory to God (c) music by Robert Charles Wagner. All rights reserved. Excerpts from the English translation of The Roman Missal © 2010, International Commission on English in the Liturgy Corporation. All rights reserved.

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Deacon Bob

I am a composer, performer, poet, educator, spiritual director, and permanent deacon of the Catholic Church. I just recently retired after 42 years of full-time ministry in the Catholic Church. I continue to serve in the Church part-time. I have been blessed to be united in marriage to my bride, Ruth, since 1974. I am father to four wonderful adult children, and grandfather to five equally wonderful grandchildren. In my lifetime, I have received a B.A. in Music (UST), M.A. in Pastoral Studies (St. Paul Seminary School of Divinity, UST), Certified Spiritual Director. Ordained to the Permanent Diaconate for the Archdiocese of St. Paul and Minneapolis, in 1991. Composer, musician, author, poet, educator. The Gospels drive my political choices, hence, leading me toward a more liberal, other-centered politics rather than conservative politics. The great commandment of Jesus to love one another as he has loved us, as well as the criteria he gives in Matthew 25 by which we are to be judged at the end of time directs my actions and thoughts.

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