Celebrating my 53 year old relationship with Ruth

Ruthie’s high school graduation picture. Her hair would have looked more like this picture. Our high school had strict hair and dress codes.

May 29, 1969 was the occasion of my first date with Ruth. It was a very stormy and rainy night when I arrived at her Uncle and Aunt’s house (where she lived while going to high school) on Marion Street, St Paul. We went downtown St Paul to see the movie, Charly. The way I remembered that night, I wrote in a poem back in 2011.

Pouring down rain drenching the night
as I climb the steps to your  home.
With one knock, light from within
greets me,
and there you stand,
the scent of herbal essence from your hair,
your brown eyes looking deep into my soul.
You bid farewell to your Aunt and Uncle,
open the screen door
and step outdoors.
The drenching rain suddenly
frozen in time
as your hand touches mine
and you laugh,|aware of the secret
I have hidden deep within.

“Our First Date” © 2011. The Book Of Ruth,  by Deacon Bob Wagner OFS. All rights reserved

Ruthie, a couple of years later.

Because Ruthie and I were students in a very strict Catholic School, St Bernard’s, Rice Street, St Paul, our first date was a very chaste occasion. Unlike the teen movies, Porky’s and/or American Pie, our first date was more like that depicted in the movie, Heaven Help Us, albeit Benedictines taught at St Bernard’s as opposed to the Franciscans in that movie.

In fact, it took a number more dates before I kissed Ruthie for the first time. Her response was more “what took you so long,” rather than “how dare you!” I think she was wondering if I was really serious about her. With teenage male hormones raging to the boiling point, little did she know how hard it was to restrain myself. I later expressed this in another little poem.

You wonder why
it took so long
for my lips to brush
against your lips.
Like a young child
searching for words,
I lack the vocabulary
to communicate
my feelings for you.
It is not because
you are not appealing
nor a question of
my sexual preference.
Rather, it was
respect for the dignity
embodied within
your womanhood
that makes me hesitate.
Aware of my lust for you,
who am I to sully
with my wanton desires
your beauty and integrity
knowing that once our lips touch
breached would be the dike
that long I took to build.
Little did I know
you were waiting
for that dike to crumble.

© 2011. The Book Of Ruth,  by Deacon Bob Wagner OFS. All rights reserved.

Ruthie,1973 in the maintenance office at Har Mar Mall, where I worked nights while I was in college.

It was on that first date that I innately knew that Ruthie was my life companion. While she continued to date others, I was resolute in dating only Ruth. I had many good female friends over that time, but as good as the friendships I had with many other female students and colleagues, it was only Ruth who stirred within me the desire to be with her the rest of my life. In fact, I had one date with another girl, but it was more on the behest of my mother who wanted me to take the niece of a nun friend out to a movie while the niece was visiting her aunt. I had a nice time, but it was only Ruth who held my heart.

Ruthie and her little sister, Teresa, at Ruth’s Uncle Bud’s lake home on Battle Lake, approximately a year before we got married.

In many ways, May 29 is a more significant anniversary for me than is our wedding anniversary. It was May 29th that altered my life forever. It was May 29th that placed a focus in my life, a life I could only envision with Ruth by my side. Up to that time, I entertained a romantic notion of being the starving music composer, composing music and dying penniless in a garret somewhere, at which point, my music would be discovered and I and my music would be honored in the music community into perpetuity (sounds like the plot of a Puccini opera). However, with Ruth as a major part of my future, I got focused on somehow making a living with music, composing music on the side, more as a hobby rather than a vocation, and worked toward actually making a living and raising a family with Ruth.

Ruth one year before we got married.

Of course, I have composed many songs to Ruth over the years. This is the first I composed for her when I was in college studying Music Theory.

An Etude for Ruth, Psalm Offering 6, Opus 1 (c) 1972 by Robert Charles Wagner. All rights reserved.
Ruthie and I, the summer before we got married, refinishing the piano she bought for us for $25. She found it on a farmhouse porch on a farm nearby her mom and dad’s farm.

The next song I compose for Ruthie was a song that was sung at our wedding in 1974. Over the years, I lost the score for that song, but remembered the melody (modeled in the style of the love aria from Henry Purcell’s opera, Dido and Aeneas … for all the music geeks out there). In 2016, I refashioned that melody into a piano song, with the melody stated in the beginning and end of the piece, and composing a whole new section for the middle of the piece.

A Song for Ruthie, Psalm Offering 3 Opus 6 (c) 2016 by Robert Charles Wagner.
Ruthie and Andy at the piano she bought and refinished for us. We still have that beautiful instrument.

I think over our lifetime together, I have composed 7 songs for Ruth. For our tenth wedding anniversary, Ruthie pregnant with Beth, who would be born 16 days later, I composed a song in the manner of Aaron Copland, my attempt at an “Appalachian Spring” a la a fugue.

For Ruth, on the occasion of our 10th Wedding Anniversary, Psalm Offering 9 Opus 2 (c) 1984 by Robert Charles Wagner. All rights reserved.
Ruthie in 1973. It was a professional photograph of which Ruthie never like, but I loved.

Yesterday, to commemorate our first date, Ruthie and I went out for a steak dinner. We traveled out of town to a celebrated steak house only to find that it would be quite a while before we could even get a table. So instead, we drove back to New Prague and had the same wonderful meal at our normal restaurant, The Fishtale Grill, where we got a table immediately and were served promptly.

While we waited for our meal, Ruthie asked me what was my favorite time with her. My initial response was,”When we were making babies.” (C’mon, there may be snow on the roof but there is still fire in the furnace … well, given my hair situation, there’s not a lot of snow on the roof, but the fire is still in the furnace). Ruth gave me an amused look as a response.

Tango in F Minor for Ruth, Music for the Celestial Dance, Opus 14, (c) 2020 by Robert Charles Wagner. All rights reserved.

Ruthie striking a “saucy” pose. Ha Cha Cha!

However, I quickly added, “There is not just one moment with you that is my favorite. ALL our moments together are my favorite.” The reason I courted her, the reason I married her, was to spend all my time with her. In my universe, she is the sun around which all creation revolves. With Ruth working all those night shifts as a nurse, and with me working the insane hours of church ministry, we didn’t have many “moments” together. When she would get a Friday night off (twice a month), she often would sit in her chair and sleep. I far preferred sitting next to her sleeping in that chair than in doing anything else. With both of our mobility issues these days, we are spending all sorts of time together now … I would have it no other way.

Of all the music I have composed for Ruth, this one, composed in 2018, remains my favorite. It is the song that reveals my love for her the most.

For Ruth, Psalm Offering 9 Opus 9 (2018) by Robert Charles Wagner. All rights reserved.

Every morning, in the prayers of thanksgiving that I pray, I thank God first for Ruth, who is the greatest incarnation of God’s love for me. As I once expressed in another poem much later,

To  walk with you,
is to see the
world with different
eyes, colors bursting
through the greys,
warmth on the
coldest of days, your
voice floating, playing
delightfully in the air
alongside until the
sound settles gently,
gracefully in my ears.

We have walked many
steps together in life,
my gait now not as steady,
these days of uncertain
limbs, joints and cane.
In walking with you,
new discoveries never
end, new beginnings
abound, and that
with you, the first
and the finest of
all teachers, learning
to walk is never
fully learned.

“Learning How To Walk” © 2015. Deacon Bob Wagner OFS. All rights reserved.

To commemorate that first date, when I was in college and penniless, I bought Ruth a simple emerald (the emerald is the birthstone for May, signifying the birth of our love) ring. It was not an expensive ring. I don’t even know whether the emerald was real or synthetic. That ring, over the years, has gotten lost. So this year, I bought for Ruth another ring with a real emerald and three diamonds on each side of the emerald on a white gold band, much in the style of the first. It is a simple ring, but elegant likeRuth.

The first great day of my life was when she agreed to go out with me. The second great day of my life was when she said yes, when I asked her to marry me. The third great day in my life was when we got married. From that time onward, every day with Ruth is a great day.

Sheltering in Love (for Ruth), Musical Reflections on a Pandemic, Opus 15 (c) 2020 by Robert Charles Wagner. All rights reserved.

THRENODIES FOR VICTIMS OF GUN VIOLENCE

The AR 15, this is the real God of the United States, NOT the Divine Being that so many people say they worship.

On American currency, the words, “In God We Trust” is emblazoned. The Founding Fathers of the United States were anything but religious, many of them, including George Washington, agnostics or Deists. The Founding Fathers also deliberately set up the United States as a secular nation in which there is plurality of religion with no one religion controlling government precisely because of the oppression and slaughter of people by religion in Europe, Hence, the Founding Fathers insisted on setting up a society in which Church and State were permanently separated. All religions, whether they be Christian, Judaism, Islam, Hindu, Buddhism, New Age, Agnosticism, Atheism, Satanism are ALL equal in the laws of the United States. With the huge number of people, mostly young in age, fleeing organized religion in droves, the issue of religion may soon be very moot in the United States, and, the Founding Fathers would probably nod their heads in approval.

I find it ironic that the most rabid of those who pound their Bibles and decry the secularism of the United States, are also some of the greatest idolators in the United States. While they may worship in a church building on Sundays, the God they really worship is the gun. This is evident in all that they say and do. There are those who send out Christmas cards with their family pictured holding AR 15s, and other automatic weapons. What a travesty! The God that they really adore is not the Prince of Peace pictured as a baby lying in the manger. The God they really adore is the weapon they cradle in their arms meant to kill life. If they did more than just pound their Bibles, but actually opened up the Bibles to the Gospels, they would find that Jesus condemned the use of weapons and violence (read the Gospel accounts of the Passions in all four Gospels).

And so with the massacre of 19 school children and two educators at Robb Elementary in the State of Texas, we see once more the sacrifice of innocent life to the pagan god, the GUN. We love to condemn those religions that sacrificed children to a false god, e.g. Baal, but fail to see that the number of United States children sacrificed to the false god of Guns far exceeds the number of children sacrifice to the pagan gods in the ancient world.

Below are two songs I have composed as a response to gun violence in the United States: one composed following the slaughter of Philando Castile by Jeronimo Yanez of the St Anthony police department in July of 2016. Ironically, the next day, a shooter shot to death a great number of police of the Dallas police department. The second song was composed in response to the slaughter of high school children at Parkland High School, Florida in February, 2018.

THE FIRST SONG, Psalm Offering 1, Opus 7 (for the victims of gun violence)

Philando Castile and his mother prior to his murder by Jeronimo Yanez in 2016.

This song is not a pretty song. The opening is harsh and discordant with loud cluster chords reflecting the violent death of an innocent person by gun shot. The loud discordant, upsetting opening segues into a sad, mournful melody reflecting the grief of Philando’s girlfriend and her daughter, who witnessed his violent murder by the police officer. This segues into a dramatic interchange between the loud harsh chords of the first part of the song with the mournful song of grief, with the mournful song dominating for the rest of the song. However, at the very end of the song, the cluster chords at the beginning of the song are very quietly come back.

Psalm Offering 1, Opus 7 (c) 2016 by Robert Charles Wagner. All rights reserved.
Philando Castile’s car following his murder.

The Second Song: Psalm Offering 3, Opus 9

This second song was composed in response to the slaughter of high school children at Parkland High School in Florida, in February 2018. Sadly, we know the story far too well. A lone gunman, armed with an AR 15 automatic weapon walks unimpeded into a school and begins to open fire on innocent lives, killing many children and adults before either 1) getting arrested, 2) getting shot to death by responding police, or 3) turning his own weapon on himself and killing himself.

Parkland school shooter Nikolas Cruz can be seen on surveillance footage aiming his gun on the second floor hallway of building 12. No one on the second floor was injured or killed. This image was part of a presentation given to the Marjory Stoneman Douglas Public Safety Commission on Wednesday November 14, 2018. The image appears on page 62 of the Law Enforcement Response presentation with the timecode of 2:23:36 (+1m58s) – Original Credit: Courtesy – Original Source: FDLE

This song, the longest in length (10 minutes), begins with a melody reflecting the sad walk of family to the gravesite of their child who was murdered by a gunman. This melody segues into a melody meant to represent the confusion and horror felt by the child in the midst of the gunfire that would eventually kill him/her. This segues back into the first melody of the family visiting the grave of their child. The song ends with a beautiful melody that begins softly and swells in violence reflecting the child’s peaceful rest in the arms of God.

Psalm Offering 3, Opus 9 (c) 2018 by Robert Charles Wagner. All rights reserved.

Let us not just remember in our hearts and prayers, the lives of so many innocent people sacrificed in the United States to the false god of the Gun. Let us work for effective gun control, voting out of office those politicians taking bribes from the gun lobby and the NRA, and voting into office politicians who will pass legislation ending the worship of the Gun in the United States.